Sharing Black and White Prints of Edisto Island Beach on Baryta Paper
Fine art photographer Keith Dotson shares images of new black and white prints of Edisto Island beach trees made for a client.
How Does a Print From an 8-Megapixel Camera Look in a High-Resolution Print Today?
This short video shows an 11 x 14-inch print on Hahnemühle Fine Art Baryta photo paper, from a file shot with an old 8-MP Olympus 4/3 camera.
Two Examples of Silver Mirroring Deterioration in Old Gelatin Silver Photographs
Video and photographs illustrate the effects of silver mirroring deterioration on the surface of two vintage photographs.
Antique Tintype Portrait: Looking a Dead Stranger in the Eye
Fine art photographer Keith Dotson looks in detail at a beautiful antique tintype portrait of an unidentified man circa 1870.
Looking at Sample Prints from a Big Client Job
In this video, fine art photographer Keith Dotson flips through a batch of new black and white prints made for a recent client project.
All About Albumen Prints
In this article, fine art photographer Keith Dotson takes a deep dive into the history, characteristics, appearance, and process of albumen prints.
How to Make an Albumen Print According to 1857 Directions
Full text of "The Albumen Process" from The Liverpool and Manchester Photographic Journal, published 1857
Daguerreotypes: How Fragile Are They? [Podcast With Full Transcript]
Fine art photographer Keith Dotson researches the question, are antique Daguerreotypes easily wiped off the plate?
Podcast: Paper, Prints, and Permanence
In the 7th episode of his new fine art photography podcast, Keith Dotson discusses things that can help or hinder how long your photo prints might last.